Gauntlet Gallery — Complete Shepard Fairey Print Index
Dave Chappelle Print
Work Summary & Collector Notes
I was honored to be asked to do the illustration for Dave Chappelle’s return to New York City, which was used on the t-shirts that he gave his fans at Radio City Music Hall. Dave Chappelle is one of comedy’s greats and I’ve always thought that he is hilarious, but also fiercely intelligent in his subversive critique of social and political structures. Chappelle plays by his own rules and I respect that. If you’re like me and weren’t one of the lucky ones that got to see him perform at Radio City Music Hall this past week, pick up the print that I’m releasing on Wednesday. Hopefully I’ll get to see Chappelle perform live one of these days.
Collector notes: Edition of 300; saved release record states an edition size of 300. Edition-specific signature, numbering, and stamp details were not stated in the saved release record. Verify signing and numbering against a documented example of this edition. Gauntlet groups this work under Politics and democracy for discovery; that category is a navigation aid, not an authentication conclusion.
Documented Release Details
- Object type
- Editioned screenprint
- Release date
- 2014
- Release-date note
- Catalog-listed release year/date from the saved secondary record; primary release-page confirmation remains pending.
- Medium and materials
- Screen Print; catalog dimensions 18 x 24 inches.
- Edition details
- Edition of 300; saved release record states an edition size of 300.
- Signature and marks
- Edition-specific signature, numbering, and stamp details were not stated in the saved release record. Verify signing and numbering against a documented example of this edition.
Documented History and Meaning
History note: Shepard Fairey's OBEY / Andre the Giant campaign began in 1989 and grew into a long print and public-art practice; this page treats that as career context, not proof that this specific edition belongs to any single exhibition.
Meaning / interpretation: Fairey's practice combines propaganda-style imagery, political and countercultural themes, and a recurring OBEY vocabulary. Subject-specific intent is not assumed here unless the release record states it. This interpretive note follows the cited artist or publisher context.
Release context: The saved catalog lists 2014 and attributes the edition to Obey Giant.
Authentication, Presentation and Provenance
- Original presentation
- Original packaging or presentation was not documented in the release sources reviewed.
- Authentication note
- Compare the support, dimensions, edition number, and signature against a documented example of this edition. Gauntlet Gallery does not authenticate works purchased from third parties.
- Provenance note
- Edition origin is attributed in the saved record to Obey Giant. That does not establish the ownership history of an individual copy: retain the original invoice, reseller or gallery paperwork, labels, correspondence, and condition photographs.
Sources and Verification
Verification status: Secondary catalog snapshot; artist-level context added
- Saved release record — Art Collectorz · secondary catalog snapshot · Accessed 2026-07-13 · Starting record for title, date, edition, dimensions, medium, release price, and release description. Primary confirmation against the original release page remains pending.
- About — Shepard Fairey / OBEY GIANT — Obey Giant · primary artist source · Accessed 2026-07-13 · Official OBEY GIANT artist biography and career context; it is not an individual-edition record.
- Shepard Fairey — Wikipedia · reference encyclopedia · Accessed 2026-07-13 · General artist-level biographical and career reference.
- Shepard Fairey (Q1142847) — Wikidata · reference knowledge base · Accessed 2026-07-13 · Structured identifier used for the artist across catalog metadata.