KAWS is Brian Donnelly — a New Jersey-born graffiti writer turned contemporary artist whose crossed-out "XX" eyes and Companion character (a melancholy riff on Mickey Mouse) now span vinyl figures, bronze, monumental sculpture, painting, and a 2021 Brooklyn Museum survey, "KAWS: WHAT PARTY." His first Companion appeared in 1999. Two decades later he's one of the top-selling living artists in the world, with hundreds of millions in auction turnover.
BE@RBRICK is the other half of the story. Created by Medicom Toy founder Tatsuhiko Akashi and first released in 2001, the blocky bear is deliberately a blank canvas — a standardized form that artists and brands decorate. KAWS, Warhol's foundation, Basquiat, Keith Haring, Chanel, Disney, BAPE and hundreds more have all "skinned" the bear, turning a 7cm toy into a platform for the entire art-and-hype economy.
Together they created the rules of the category: limited drops, a percentage size system, blind-box scarcity, and a furious secondary market. They also created its biggest hazard. Counterfeits are everywhere — one major collector found roughly half the KAWS toys he compared against his own were fakes. Which means here, as always, the real skill isn't spotting what you like. It's proving what you bought.