Gauntlet Gallery — Complete Shepard Fairey Print Index
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Work Summary & Collector Notes
These facts only emphasize more and more that our political system is broken. Gone are the days of democracy and here to stay are the days of a heavily influenced Congress with organizations such as the American Petroleum Institute (API), the industry’s powerful lobbying and trade association, increasing their power to continue to fuel government-backed subsidies. The hundreds of millions of dollars that the oil and gas industry shell out to employ it’s lobbyists only ensures that policy will never change and our courageous politicians will never stand a chance to reform legislation and repeal these subsidies.
Collector notes: Edition of 450; saved release record states an edition size of 450. Edition-specific signature, numbering, and stamp details were not stated in the saved release record. Verify signing and numbering against a documented example of this edition. Gauntlet groups this work under Politics and democracy for discovery; that category is a navigation aid, not an authentication conclusion.
Documented Release Details
- Object type
- Editioned screenprint
- Release date
- 2015
- Release-date note
- Catalog-listed release year/date from the saved secondary record; primary release-page confirmation remains pending.
- Medium and materials
- Screen Print; catalog dimensions 18 x 24 inches.
- Edition details
- Edition of 450; saved release record states an edition size of 450.
- Signature and marks
- Edition-specific signature, numbering, and stamp details were not stated in the saved release record. Verify signing and numbering against a documented example of this edition.
Documented History and Meaning
History note: Shepard Fairey's OBEY / Andre the Giant campaign began in 1989 and grew into a long print and public-art practice; this page treats that as career context, not proof that this specific edition belongs to any single exhibition.
Meaning / interpretation: Fairey's practice combines propaganda-style imagery, political and countercultural themes, and a recurring OBEY vocabulary. Subject-specific intent is not assumed here unless the release record states it. This interpretive note follows the cited artist or publisher context.
Release context: The saved catalog lists 2015 and attributes the edition to Obey Giant.
Authentication, Presentation and Provenance
- Original presentation
- Original packaging or presentation was not documented in the release sources reviewed.
- Authentication note
- Compare the support, dimensions, edition number, and signature against a documented example of this edition. Gauntlet Gallery does not authenticate works purchased from third parties.
- Provenance note
- Edition origin is attributed in the saved record to Obey Giant. That does not establish the ownership history of an individual copy: retain the original invoice, reseller or gallery paperwork, labels, correspondence, and condition photographs.
Sources and Verification
Verification status: Secondary catalog snapshot; artist-level context added
- Saved release record — Art Collectorz · secondary catalog snapshot · Accessed 2026-07-13 · Starting record for title, date, edition, dimensions, medium, release price, and release description. Primary confirmation against the original release page remains pending.
- About — Shepard Fairey / OBEY GIANT — Obey Giant · primary artist source · Accessed 2026-07-13 · Official OBEY GIANT artist biography and career context; it is not an individual-edition record.
- Shepard Fairey — Wikipedia · reference encyclopedia · Accessed 2026-07-13 · General artist-level biographical and career reference.
- Shepard Fairey (Q1142847) — Wikidata · reference knowledge base · Accessed 2026-07-13 · Structured identifier used for the artist across catalog metadata.