PARTY AT THE MOONTOWER BOX SET

Work Summary & Collector Notes

“Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years.” – Shepard

Collector notes: Edition of 150; saved release record states an edition size of 150. Edition-specific signature, numbering, and stamp details were not stated in the saved release record. Verify signing and numbering against a documented example of this edition. Gauntlet groups this work under Music and counterculture for discovery; that category is a navigation aid, not an authentication conclusion.

Documented Release Details

Object type

Editioned print or object

Release date

2011

Release-date note

Catalog-listed release year/date from the saved secondary record; primary release-page confirmation remains pending.

Medium and materials

catalog dimensions 13 x 13 inches.

Edition details

Edition of 150; saved release record states an edition size of 150.

Signature and marks

Edition-specific signature, numbering, and stamp details were not stated in the saved release record. Verify signing and numbering against a documented example of this edition.

Documented History and Meaning

History note: Shepard Fairey's OBEY / Andre the Giant campaign began in 1989 and grew into a long print and public-art practice; this page treats that as career context, not proof that this specific edition belongs to any single exhibition.

Meaning / interpretation: Fairey's practice combines propaganda-style imagery, political and countercultural themes, and a recurring OBEY vocabulary. Subject-specific intent is not assumed here unless the release record states it. This interpretive note follows the cited artist or publisher context.

Release context: The saved catalog lists 2011 and attributes the edition to Obey Giant.

Authentication, Presentation and Provenance

Original presentation

Original packaging or presentation was not documented in the release sources reviewed.

Authentication note

Compare the support, dimensions, edition number, and signature against a documented example of this edition. Gauntlet Gallery does not authenticate works purchased from third parties.

Provenance note

Edition origin is attributed in the saved record to Obey Giant. That does not establish the ownership history of an individual copy: retain the original invoice, reseller or gallery paperwork, labels, correspondence, and condition photographs.

Sources and Verification

Verification status: Secondary catalog snapshot; artist-level context added

1. Saved release record — Art Collectorz · secondary catalog snapshot · Accessed 2026-07-13 · Starting record for title, date, edition, dimensions, medium, release price, and release description. Primary confirmation against the original release page remains pending.
2. About — Shepard Fairey / OBEY GIANT — Obey Giant · primary artist source · Accessed 2026-07-13 · Official OBEY GIANT artist biography and career context; it is not an individual-edition record.
3. Shepard Fairey — Wikipedia · reference encyclopedia · Accessed 2026-07-13 · General artist-level biographical and career reference.
4. Shepard Fairey (Q1142847) — Wikidata · reference knowledge base · Accessed 2026-07-13 · Structured identifier used for the artist across catalog metadata.