American Civics - Workers' Rights — Shepard Fairey · 2016 · Screen Print
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American Civics - Workers' Rights

Shepard Fairey · 2016 · Screen Print

Year2016
MediumScreen Print
Dimensions40 x 30 in
EditionFirst Edition
Edition size100
PublisherSan Francisco Art Exchange
Original release price$1800
SeriesPolitical Series
EraModern Activism Era
Collector7/10
Visual7/10
Historical7/10
ScarcityScarce

Work Summary & Collector Notes

Workers' Rights is a 2016 screen print from Shepard Fairey's American Civics series, his first collaboration with the estate of photographer Jim Marshall. The image centers on Cesar Chavez and the farmworkers' march, with Fairey hand-collaging additional Marshall photographs of the march and reworking the composition through stencils, spray paint, and brushwork. Published by San Francisco Art Exchange in a first edition of 100, the print measures 40 x 30 inches. As one of five works depicting enduring American social issues, it foregrounds labor organizing and worker dignity through Fairey's layered, mixed-technique graphic interpretation.

Collector notes: First Edition; saved release record states an edition size of 100. Edition-specific signature, numbering, and stamp details were not stated in the saved release record. Verify signing and numbering against a documented example of this edition. Gauntlet groups this work under Collaborations and pop culture for discovery; that category is a navigation aid, not an authentication conclusion.

Historical Context

In the artist's words / from the release record:

“The first-ever collaboration between Shepard and the estate of legendary photographer Jim Marshall, American Civics, debuts this month! Shepard is interpreting Marshall's iconic photography from the 1960's, including images of Johnny Cash, Cesar Chavez, and Fannie Lee Chaney, with five new works, vividly depicting the humanity behind some of the country's enduring social issues: Voting Rights, Mass Incarceration, Worker's Rights, Gun Culture, and Two Americas. "I remove the guy next to Cesar Chavez. I made him sticking his head up a little higher, so he's a little bit more in the negative spa

Documented Release Details

Object type
Editioned screenprint
Release date
2016-05-14
Release-date note
Catalog-listed release year/date from the saved secondary record; primary release-page confirmation remains pending.
Series
Political Series
Medium and materials
Screen Print; catalog dimensions 40 x 30 in.
Edition details
First Edition; saved release record states an edition size of 100.
Signature and marks
Edition-specific signature, numbering, and stamp details were not stated in the saved release record. Verify signing and numbering against a documented example of this edition.

Documented History and Meaning

History note: Shepard Fairey's OBEY / Andre the Giant campaign began in 1989 and grew into a long print and public-art practice; this page treats that as career context, not proof that this specific edition belongs to any single exhibition.

Meaning / interpretation: In the artist's or release record's own words: “The first-ever collaboration between Shepard and the estate of legendary photographer Jim Marshall, American Civics, debuts this month! Shepard is interpreting Marshall's iconic photography from the 1960's, including images of Johnny Cash, Cesar Chavez, and Fannie Lee Chaney, with five new works, vividly depicting the humanity behind some of the country's enduring social issues: Voting Rights, Mass Incarceration, Worker's Rights, Gun Culture, and Two Americas. "I remove the guy next to Cesar Chavez. I made him sticking his head up a little higher, so he's a little bit more in the negative spa. This can be read as the documented intent for the work; no additional endorsement is assumed. This interpretive note follows the cited artist or publisher context.

Release context: The saved catalog lists 2016-05-14 and attributes the edition to San Francisco Art Exchange. It is grouped under Political Series in the saved record. The saved record notes an original release price of USD $1,800.00.

Authentication, Presentation and Provenance

Original presentation
Original packaging or presentation was not documented in the release sources reviewed.
Authentication note
Compare the support, dimensions, edition number, and signature against a documented example of this edition. Gauntlet Gallery does not authenticate works purchased from third parties.
Provenance note
Edition origin is attributed in the saved record to San Francisco Art Exchange. That does not establish the ownership history of an individual copy: retain the original invoice, reseller or gallery paperwork, labels, correspondence, and condition photographs.

Sources and Verification

Verification status: Secondary catalog snapshot; artist-level context added

  1. Saved release record — Art Collectorz · secondary catalog snapshot · Accessed 2026-07-13 · Starting record for title, date, edition, dimensions, medium, release price, and release description. Primary confirmation against the original release page remains pending.
  2. About — Shepard Fairey / OBEY GIANT — Obey Giant · primary artist source · Accessed 2026-07-13 · Official OBEY GIANT artist biography and career context; it is not an individual-edition record.
  3. Shepard Fairey — Wikipedia · reference encyclopedia · Accessed 2026-07-13 · General artist-level biographical and career reference.
  4. Shepard Fairey (Q1142847) — Wikidata · reference knowledge base · Accessed 2026-07-13 · Structured identifier used for the artist across catalog metadata.
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