Gauntlet Gallery — Complete Cleon Peterson Print Index
Flowers Of Evil: There Is An End To Everything (Black)
Summary
Flowers Of Evil: There Is An End To Everything (Black) is a 2021 hand-pulled black-and-bone screen print in an edition of 125, self-released by Cleon Peterson. At a large 32 x 32 inch square on 290gsm Coventry Rag paper with deckled edges, it anchors his Flowers Of Evil series with commanding scale. Each print is signed and numbered.
Why It Matters
Part of the literary Flowers Of Evil series, the title borrows from Baudelaire's meditation on beauty, decay, and mortality, deepening Peterson's thematic reach. The large 32 x 32 inch square format makes it a centerpiece work. The two-color black-and-bone treatment and edition of 125 mark it as a significant series release.
Collector Perspective
The imposing square scale and named series membership give this print elevated stature among Peterson's editions. Collectors pursuing complete series representation prize the Flowers Of Evil works. The black-and-bone duotone and larger dimensions command a statement wall, and the signed, numbered self-release ensures clean provenance.
Historical Context
By titling the series after Baudelaire's Les Fleurs du Mal, Peterson links his contemporary violence to a canonical exploration of evil and beauty. The 2021 release predates several of his later self-issued works. It reflects his ambition to situate street-derived imagery within a broader literary and art-historical frame.
FAQ
What is the edition size?
The edition is limited to 125 hand-pulled screen prints, each signed and numbered.
What are the dimensions?
The print measures a large 32 x 32 inches on 290gsm Coventry Rag paper with deckled edges.
How many colors are used?
It is a two-color black-and-bone screen print.
Is this part of a series?
Yes, it belongs to Cleon Peterson's Flowers Of Evil series, self-released in 2021.
About the Artist
Cleon Peterson (born 1973, Seattle) is an American artist known for stark, high-contrast compositions depicting scenes of violence, power, and social conflict. Working primarily in a limited palette — often black on a single bold ground — he renders chaotic tableaux of figures locked in struggle, exploring themes of authority, brutality, and moral disorder in contemporary society. His graphic, almost hieroglyphic style has appeared in paintings, murals, and a substantial catalogue of signed prints, as well as collaborations spanning fashion and public art. He is based in Los Angeles.
Collecting Cleon Peterson at Gauntlet Gallery
Which Cleon Peterson works should I collect?
His signed, numbered screenprints are the core of the market, prized for their bold duotone impact. Look for clean registration and strong condition. Gauntlet Gallery prioritizes complete, well-preserved impressions with documentation.
How is a Cleon Peterson piece authenticated?
We sell his works with documented provenance and the edition's signature and numbering. Each piece is photographed as-is, including signature and edition details, so you can verify before purchase.
What drives value?
Edition size, image iconicity, color scheme, condition, and provenance drive value. Low-numbered, large-format, and hand-embellished works command the strongest premiums.