Gauntlet Gallery — Sandra Chevrier Print Index
She Killed A Man (Hand-Finished)
Summary
A 2013 hand-finished work: an archival giclee on Hahnemuhle 308gsm at 61 x 46 cm, in an edition of 29 where each impression is unique. Hand signed and stamped. The direct English title "She Killed A Man" departs from Chevrier's usual French phrasing, and the hand-finishing means no two examples are alike.
Why It Matters
The hand-finished treatment is the key distinction: each of the 29 prints receives unique artist intervention, so every impression is effectively one-of-a-kind rather than a straight reproduction. That blurs the line between print and original and sits at the high end of collectibility. The blunt English title also stands apart from her poetic French naming convention.
Collector Perspective
Hand-finished editions carry premium appeal because uniqueness is baked in; a collector isn't buying one of 29 identical sheets but a singular object. The small run of 29 reinforces scarcity. Hahnemuhle 308 is a top-tier archival stock. Because each is unique, image-specific condition and the character of the hand-finishing should be evaluated individually rather than assumed.
Historical Context
2013 was a productive year for Chevrier's "Cage Study" and related releases. Hand-finished editions from this period demonstrate her willingness to reintroduce the artist's hand into the print medium, reinforcing the painterly identity of her work even in editioned form.
FAQ
What does 'hand-finished' mean here?
Each of the 29 prints received unique artist intervention, so every impression is one-of-a-kind rather than identical.
How large is the edition?
29 prints, each described as unique.
How is it authenticated?
It is hand signed and stamped by the artist.
Why is the title unusual for Chevrier?
"She Killed A Man" is in plain English, departing from her typical poetic French titling.
About the Artist
Sandra Chevrier is a Canadian contemporary artist based in Montreal, best known for her ongoing series La Cage, in which she paints delicate female portraits partially overlaid with comic-book imagery. The superhero panels function as a metaphorical "cage," exploring the pressures, expectations, and idealized roles imposed on women. Her mixed-media works combine painting, drawing, and vintage comic collage, and she has exhibited internationally and collaborated on projects including a notable series with Hendrik Beikirch. Chevrier's editioned prints translate her intimate, layered originals to a wider collector audience.
Collecting Sandra Chevrier at Gauntlet Gallery
How do I start collecting Sandra Chevrier?
Signed, numbered giclee and screenprint editions from her La Cage series are the primary entry point, with hand-embellished editions and unique paintings at the higher end. Look for strong facial detail and clean comic-collage layering. Gauntlet Gallery prioritizes well-preserved impressions with complete signing.
How is authenticity documented?
Chevrier works are sold with documented studio provenance and the artist's signature and numbering. We photograph the exact piece you receive, including the signature and edition details, so authenticity can be verified before purchase.
What drives Sandra Chevrier's value?
Medium (originals and hand-embellished editions over open prints), edition size, iconic imagery from La Cage, condition, and documented provenance are the key value drivers. Unique and low-numbered embellished works carry the strongest premiums.