
Gauntlet Gallery — Banksy Prints
Separation Wall - Alpine View
Work Summary & Collector Notes
A giclee reproduction of one of Banksy's 2005 interventions on the Israeli West Bank separation barrier: the towering grey concrete slabs appear to be smashed open, the jagged "hole" revealing a serene Alpine vista of pine forest, blue mountains and open sky, with two small silhouetted children playing with a bucket and spade beneath it. It distills Banksy's wall project — turning a brutal security barrier into a window onto an unreachable paradise — into a single collectible image within the Palestine & The Wall body of work.
Collector notes: Edition; saved release record states an edition size of 56. Edition-specific signature, numbering, and stamp details were not stated in the saved release record. Verify signing and numbering against a documented example of this edition.
Why It Matters
The Alpine View belongs to the series Banksy painted directly onto the West Bank wall in 2005, work that pushed his practice from British street satire into international political statement. The trompe-l'oeil hole opening onto an idealized mountain landscape is among the most quoted images from that trip: it uses a holiday-postcard fantasy to underline confinement, the irony of children playing at the foot of an eight-metre barrier sharpening the point. As both protest gesture and tourist-friendly painting, it captures the central tension of Banksy's wall work — beauty deployed as critique — and remains one of the defining visual arguments in his anti-establishment vocabulary.
Collector Perspective
With an edition of just 56, this giclee sits firmly in the scarce, low-volume tier of Banksy's catalogue — far rarer in absolute numbers than his mass screen-print runs of 150 to 750. The Palestine subject gives it strong narrative pull, but as a giclee rather than a Pictures on Walls screen print, it occupies a slightly different niche than the flagship POW editions — collectors should weigh that against the genuine scarcity of the run.
Historical Context
The image references Banksy's August 2005 trip to the West Bank, where he painted a series of works on the Israeli separation barrier, then under construction and already an international flashpoint. Several of those wall pieces used illusionistic "openings" — ladders, torn gaps and painted vistas — to imagine escape beyond the concrete; the Alpine landscape seen through a broken hole is one of these. The 2006 dated edition followed the on-site campaign, translating the ephemeral wall painting into a limited print and cementing the Palestine theme within his Stencil Boom Era output of the mid-2000s.
Documented Release Details
- Object type
- Editioned print
- Release date
- 2006
- Release-date note
- Catalog-listed release year from the saved secondary record; primary release-page confirmation remains pending.
- Medium and materials
- Giclee.
- Edition details
- Edition; saved release record states an edition size of 56.
- Signature and marks
- Edition-specific signature, numbering, and stamp details were not stated in the saved release record. Verify signing and numbering against a documented example of this edition.
Documented History and Meaning
History note: This page treats Banksy's broader career as background context, not proof that this specific edition belongs to any single exhibition or event. Release-level facts here come from a saved secondary catalog record.
Meaning / interpretation: Read as documented context rather than stated intent: The image references Banksy's August 2005 trip to the West Bank, where he painted a series of works on the Israeli separation barrier, then under construction and already an international flashpoint. This is an interpretive reading of the release context, not a statement of the artist's intent for this specific work. This interpretive note follows the cited artist or publisher context.
Release context: The saved catalog lists 2006.
Authentication, Presentation and Provenance
- Original presentation
- Original packaging or presentation was not documented in the release sources reviewed.
- Authentication note
- Compare the support, dimensions, edition number, and signature against a documented example of this edition. Gauntlet Gallery does not authenticate works purchased from third parties.
- Provenance note
- Edition origin is attributed in the saved record to the release source named in the saved record. That does not establish the ownership history of an individual copy: retain the original invoice, reseller or gallery paperwork, labels, correspondence, and condition photographs.
Sources and Verification
Verification status: Secondary catalog snapshot; artist-level context added
- Banksy — Wikipedia · reference encyclopedia · Accessed 2026-07-13 · General artist-level biographical and career reference.
- Banksy (Q133600) — Wikidata · reference knowledge base · Accessed 2026-07-13 · Structured identifier used for the artist across catalog metadata.
FAQ
What does this print depict?
A section of the Israeli West Bank separation wall painted to look as if it has been smashed open, the jagged hole revealing an idyllic Alpine landscape of pine forest, mountains and blue sky, with two small silhouetted children playing beneath it.
How large is the edition?
The edition size is 56, making it one of Banksy's smaller, scarcer print runs.
Is it signed?
The title carries no signed or AP designation, so it should be treated as unsigned unless a specific example is documented otherwise.
What medium is it?
It is a giclee print, dated 2006, reproducing imagery from Banksy's 2005 West Bank wall interventions.
Who is Banksy?
Banksy is the anonymous England-based street artist who emerged from Bristol in the early 1990s, known for fast stencil work, dark humour and anti-war, anti-capitalist and anti-establishment imagery, including his series painted on the West Bank separation wall.








