Gauntlet Gallery — Hijack Print Index
Dehabitation Rehabilitation
Summary
"Dehabitation Rehabilitation" is a 2020 screen print in an edition of 100 at 22.5 x 30 inches. Its statement, "Ice doesn't have an agenda, it just melts," reframes climate change as a matter of physics rather than politics, urging viewers to raise awareness rather than the sea level.
Why It Matters
The print distills Hijack's environmental messaging into a memorable, quotable line. At 100 impressions it is the most widely available of his 2020 climate group, making it an accessible entry point for collectors who want the theme without the tighter numbers of "Toxic Love" or "Toppling Effect."
Collector Perspective
As the largest edition in the climate cluster, this is the print most likely to surface for new collectors of Hijack's protest work. Its plainspoken caption gives it strong wall appeal for buyers who value message-driven art, though the higher count places it at the more common end of the 2020 series.
Historical Context
Released in 2020, the work reflects the period's intensifying focus on melting polar ice and rising seas. Hijack, working in his father Mr. Brainwash's crowd-friendly lineage, uses that accessible register to deliver a deliberately apolitical framing of a politically charged issue.
FAQ
What is the edition size?
It was released in an edition of 100, the largest in Hijack's 2020 climate series.
What does the title mean?
It plays on habitat loss and recovery, tied to the artist's call to raise awareness rather than sea levels.
What are the dimensions?
The sheet measures 22.5 x 30 inches.
How does it compare to his other climate prints?
It is more widely available than Toxic Love (50) or Toppling Effect (65).
About the Artist
Hijack is a Los Angeles-based street artist, the son of the French urban artist Blek le Rat, who is often credited as a pioneer of stencil graffiti and an influence on Banksy. Working primarily in stencil and mixed media, Hijack creates satirical, pop-culture-charged imagery that comments on consumerism, politics, and celebrity, frequently juxtaposing childhood innocence with adult themes. He has exhibited in galleries across the United States and internationally, and his editions and originals have attracted a growing collector base within the contemporary urban-art market.
Collecting Hijack at Gauntlet Gallery
How should I start collecting Hijack?
Signed, numbered editions are the natural entry point, with hand-embellished prints and original stencil-on-canvas works representing the higher tier. Look for bold, recognizable imagery and clean condition. Gauntlet Gallery selects pieces with complete signing and documented release history.
How is authenticity handled?
Hijack works are offered with documented studio provenance and the artist's signature and numbering. We photograph the specific piece you will receive, capturing the signature and edition details so you can verify before buying.
What drives Hijack's value?
Scarcity (edition size and unique works), subject matter, hand-embellishment, condition, and provenance tied to a documented release are the primary value drivers. Originals and low-numbered embellished prints command the strongest prices.