The Last Mountain — Shepard Fairey · 2011 · Screen Print
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The Last Mountain

Shepard Fairey · 2011 · Screen Print

Year2011
MediumScreen Print
Dimensions18 x 24 in
EditionFirst Edition
Edition size450
PublisherObey Giant
Original release price$55
SeriesEnvironmental Series
EraEnvironmental Era
Collector6/10
Visual6/10
Historical6/10
ScarcityModerate

Work Summary & Collector Notes

The Last Mountain is a 2011 Shepard Fairey screen print, 18 x 24 inches, in a first-edition run of 450 published by Obey Giant. Created in support of the documentary film of the same name, the image draws on a reference photograph by J Henry Fair and confronts mountaintop-removal coal mining in West Virginia. The piece contrasts the destructive cost of fossil-energy extraction with a hopeful alternative vision of wind power on Appalachian ridges. Released June 7, 2011 at $55, it pairs Fairey's bold graphic vocabulary with an explicit environmental and public-health message about pollution, illness, and climate impact.

Collector notes: First Edition; saved release record states an edition size of 450. Edition-specific signature, numbering, and stamp details were not stated in the saved release record. Verify signing and numbering against a documented example of this edition. Gauntlet groups this work under Environment and climate for discovery; that category is a navigation aid, not an authentication conclusion.

Historical Context

In the artist's words / from the release record:

“The big fossil energy corporations keep telling us we have no choice and simply must keep destroying communities(with mountaintop coal mining), spewing pollution and causing 10’s-of-1000’s of illnesses and deaths in the US(with mercury, arsenic, ozone, etc., etc.) and endangering the planet with CO2 — and all just to boil some water to make electricity. But it’s a lie… Even in the heart of coal country in WV, they have a vision and want to see a wind-farm on their ridges, rather than dismantling the mountains for coal. There’s a great new film, “The Last Mountain” which tells this amazing sto

Documented Release Details

Object type
Editioned screenprint
Release date
2011-06-07
Release-date note
Catalog-listed release year/date from the saved secondary record; primary release-page confirmation remains pending.
Series
Environmental Series
Medium and materials
Screen Print; catalog dimensions 18 x 24 in.
Edition details
First Edition; saved release record states an edition size of 450.
Signature and marks
Edition-specific signature, numbering, and stamp details were not stated in the saved release record. Verify signing and numbering against a documented example of this edition.

Documented History and Meaning

History note: Shepard Fairey's OBEY / Andre the Giant campaign began in 1989 and grew into a long print and public-art practice; this page treats that as career context, not proof that this specific edition belongs to any single exhibition.

Meaning / interpretation: In the artist's or release record's own words: “The big fossil energy corporations keep telling us we have no choice and simply must keep destroying communities(with mountaintop coal mining), spewing pollution and causing 10’s-of-1000’s of illnesses and deaths in the US(with mercury, arsenic, ozone, etc., etc.) and endangering the planet with CO2 — and all just to boil some water to make electricity. But it’s a lie... Even in the heart of coal country in WV, they have a vision and want to see a wind-farm on their ridges, rather than dismantling the mountains for coal. There’s a great new film, “The Last Mountain” which tells this amazing sto. This can be read as the documented intent for the work; no additional endorsement is assumed. This interpretive note follows the cited artist or publisher context.

Release context: The saved catalog lists 2011-06-07 and attributes the edition to Obey Giant. It is grouped under Environmental Series in the saved record. The saved record notes an original release price of USD $55.00.

Authentication, Presentation and Provenance

Original presentation
Original packaging or presentation was not documented in the release sources reviewed.
Authentication note
Compare the support, dimensions, edition number, and signature against a documented example of this edition. Gauntlet Gallery does not authenticate works purchased from third parties.
Provenance note
Edition origin is attributed in the saved record to Obey Giant. That does not establish the ownership history of an individual copy: retain the original invoice, reseller or gallery paperwork, labels, correspondence, and condition photographs.

Sources and Verification

Verification status: Secondary catalog snapshot; artist-level context added

  1. Saved release record — Art Collectorz · secondary catalog snapshot · Accessed 2026-07-13 · Starting record for title, date, edition, dimensions, medium, release price, and release description. Primary confirmation against the original release page remains pending.
  2. About — Shepard Fairey / OBEY GIANT — Obey Giant · primary artist source · Accessed 2026-07-13 · Official OBEY GIANT artist biography and career context; it is not an individual-edition record.
  3. Shepard Fairey — Wikipedia · reference encyclopedia · Accessed 2026-07-13 · General artist-level biographical and career reference.
  4. Shepard Fairey (Q1142847) — Wikidata · reference knowledge base · Accessed 2026-07-13 · Structured identifier used for the artist across catalog metadata.

Market Context

Estimated value1$205N/A confidence5
Valuation range$184–$225 · estimate ±10%
$100observed sales range$1,153
Estimated value1$205
Liquidity4Highly Liquid
Sales volume425 recorded sales
Recorded comps325
Min sale2$100
Median sale1$205
Max sale2$1,153
Latest saleMay 26, 2025
Edition size450
ScarcityModerate
  1. Estimated value. The median of recorded public sale prices for this piece, matched by title and colorway. We use the median (not the average) because it resists outliers.
  2. Min / max sale. The lowest and highest individual recorded sale prices; the range shows dispersion, not a guaranteed band.
  3. Recorded comps. The number of independent comparable sales; reliability rises with sample size (1–2 sales are indicative only).
  4. Liquidity & sales volume. Our liquidity rating reflects sales velocity — the number of recorded comparable sales and how recent the latest sale is. More frequent and more recent sales rate as more liquid (Highly Liquid → Liquid → Moderate → Thin → Very Thin); a piece with no recorded public sales is Extremely Rare.
  5. Estimate confidence. A traffic-light read on how well the data supports the estimate: green high, yellow medium, red low / indicative.
  6. Data source & currency. Compiled from recorded public marketplace and auction sales of US$200 or more, in US dollars, as of the latest recorded sale shown. Coverage is not exhaustive.
  7. Not financial or investment advice. For collector reference only — not an appraisal, offer, or guarantee of resale value. Art is volatile and illiquid; do your own research. Use is subject to our Terms & Conditions.
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