DEATH NYC Alice Kermit Supreme Signed Ltd Ed Print COA Pop Art: Collector Guide — What It Is, What It Is Worth
Three of the most recognizable icons in pop culture walk into a frame: Alice in Wonderland, Kermit the Frog, and Supreme. The result is one of Death NYC's most visually loaded limited editions — a hand-signed print depicting Alice alongside Kermit, both draped in Supreme branding, colliding Disney nostalgia, Muppet iconography, and streetwear hype into a single 18x13-inch statement piece. This is not a reproduction or open edition. It is a hand-signed limited edition Death NYC print, numbered from an edition of 50 to 100 copies, and authenticated with a gold embossed Certificate of Authenticity. Retail price: $100.
The Cultural Collision
Death NYC builds prints around the friction between source materials — the more incongruous the combination, the sharper the commentary. The Alice Kermit Supreme print lands three overlapping cultural signals in one image. Alice is the quintessential symbol of wide-eyed innocence wandering into absurdity. Kermit is everyman ambivalence made green and felt. Supreme is the most cynically effective hype machine in the history of American streetwear — a brand that turned scarcity into religion and a box logo into a status code. Placing all three together in Death NYC's signature graffiti-inflected, high-contrast aesthetic transforms the image into a visual argument: consumer culture is a rabbit hole, and everyone — from cartoon frogs to fairy-tale heroines — eventually ends up wearing the box logo.
Visually, the print uses Death NYC's trademark technique of rendering familiar characters in unexpected contexts, layering brand iconography over classic illustration in a way that feels simultaneously subversive and inevitable. The Supreme red-and-white palette cuts against the softer, warmer tones associated with both Alice and Kermit, creating the kind of tonal clash that makes the viewer look twice. That double-take is the whole point.
Death NYC: The Artist
Death NYC is an anonymous New York-based street artist who began producing work in the early 2010s, roughly around 2010 to 2012. The artist operates squarely in the lineage of Banksy's stenciled social critique, Warhol's appropriation of consumer imagery, and Basquiat's raw, visceral recontextualization of symbols. Death NYC's project is essentially a sustained meditation on what happens when the sacred meets the commercial — when a Klimt painting gets a Chanel overlay, or a Disney princess gets redrawn into a Supreme drop. The work is deliberately confrontational and consistently funny, using recognizable IP as a vehicle to expose the absurdity of brand worship and celebrity culture.
The artist produces prints in extremely limited runs, signs and dates each one by hand, and includes a gold embossed COA card with every piece. This combination of anonymity, small editions, and physical authentication has made Death NYC prints a fixture of the secondary street art market, consistently appearing at auction alongside works by Invader, Mr. Brainwash, and other artists operating in the post-Banksy urban art tradition. The prints are intentionally priced as accessible entry points — a deliberate subversion of the exclusivity they critique.
Edition and Authentication
This print is hand-signed and hand-dated by Death NYC directly on the work. The edition runs between 50 and 100 copies, with each print individually numbered. Dimensions are 18x13 inches on premium archival stock. Authentication is provided via a gold embossed Certificate of Authenticity card issued with every print.
The gold embossed seal is the primary authentication marker and the first thing any serious collector should examine. On genuine Death NYC prints, the seal is physically raised — you can feel the impression when you run a finger across it. Counterfeit or misrepresented prints frequently reproduce the COA card as a flat printed image, which flattens the emboss entirely. If the gold seal does not have tactile relief, the authentication is not original. Secondary markers include the hand-signed signature (not a stamp or print-over) and the hand-written edition number, typically in the lower margin of the print.
Why Collectors Buy This Print
The Alice Kermit Supreme print draws from three distinct collector bases simultaneously. Disney art collectors recognize Alice immediately and are accustomed to the secondary market for Disney-adjacent fine art editions. Muppet memorabilia has a dedicated and surprisingly active collector community that extends well beyond childhood nostalgia into serious archival collecting. Supreme enthusiasts — particularly those priced out of the brand's physical drops — find street art prints that incorporate Supreme branding to be a parallel entry point into the Supreme cultural ecosystem. When a single piece appeals to Disney fans, Muppet collectors, and Supreme followers at the same time, the potential buyer pool multiplies significantly.
On the appreciation side, Death NYC prints have a documented track record on the secondary market. Popular motifs in small editions — particularly those featuring recognizable brand crossovers — regularly achieve 2x to 5x appreciation within 12 to 24 months of original sale when the edition is genuinely limited and the authentication is verifiable. At a $100 retail entry point, this print sits at the accessible end of the street art market, below the typical threshold that deters first-time collectors, while still carrying the edition size and physical authentication that more serious collectors require. The gold embossed COA and hand signature are not cosmetic — they are the documentation chain that makes resale on platforms like eBay, Artsy, and specialty street art auction houses straightforward.
Frequently Asked Questions
Browse Death NYC prints and other limited edition street art at Gauntlet Gallery.