D*Face x Banksy "American Depress" Faux Credit Card Art, Dismaland 2015, Framed

Name: D*Face x Banksy "American Depress" Faux Credit Card Art, Dismaland 2015, Framed
Brand: Gauntlet Gallery
SKU: 317793013711_F5D6_D459_140E__EED
Price: 225.00 USD
Availability: InStock

MSRP: $270.00 Price: $225.00

MSRP: ~~$264.70~~

Only 1 in stock

Year: 2015
Medium: Faux Credit Card Art
Edition: 1/1

See it in scale

D*Face × Banksy — American Depress — Gauntlet Gallery D*Face × Banksy — American Depress — Gauntlet Gallery D*Face × Banksy"American Depress" • Banksy-Stamped Variant • Dismaland 2015 Faux Credit Card Multiple • Color Screenprint on Embossed Perspex • 2.25" × 3.25"Banksy Signature Stencil on Strip • D*Face & Dismaland Stamps VersoCustom Framed by Gauntlet Gallery • Solid Antique Frame (c. 1920s) • Gold-Leaf Detail What You Are Getting This is an authentic D*Face × Banksy "American Depress" faux… Read more

D*Face × Banksy — American Depress — Gauntlet Gallery

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D*Face × Banksy — American Depress — Gauntlet Gallery

D*Face × Banksy
"American Depress" • Banksy-Stamped Variant • Dismaland 2015

Faux Credit Card Multiple • Color Screenprint on Embossed Perspex • 2.25" × 3.25"
Banksy Signature Stencil on Strip • D*Face & Dismaland Stamps Verso
Custom Framed by Gauntlet Gallery • Solid Antique Frame (c. 1920s) • Gold-Leaf Detail

What You Are Getting

This is an authentic D*Face × Banksy "American Depress" faux credit card — the Banksy-stamped variant exclusively distributed at Banksy's Dismaland Bemusement Park in Weston-super-Mare, England (August 21 – September 27, 2015). The card carries a Banksy signature stencil on the signature strip and D*Face and Dismaland stamps on the verso — authentication markers applied on-site during the 36-day run of one of the most significant guerrilla art events of the twenty-first century. **Includes display stand**

This card was obtained in person at Dismaland and has been professionally custom framed by Gauntlet Gallery (San Francisco) in a solid antique frame dating to the 1920s — a 100-year-old frame whose aged patina and craftsmanship give the piece a weight and presence that modern framing simply cannot replicate. The contrast between a century-old frame and a 2015 anti-consumerist artwork creates a deliberate visual tension that elevates the piece beyond a standard presentation. The frame was hand-selected from Gauntlet Gallery's collection specifically for this card.

This is the desirable variant. Two versions of the card were distributed at Dismaland: one stamped with the "Banksy" signature stencil on the strip, and another with a "Dismaland" logo stamp. The Banksy-signed version is the rarer and more sought-after of the two, as it represents one of the very few categories of object to carry a direct Banksy mark distributed to the public.

Object Details

Artists	*DFace (Dean Stockton) — design & production Banksy** — Dismaland distribution & signature stamp
Title	"American Depress" — Banksy-Stamped Dismaland Variant
Medium	Color screenprint (serigraph) on embossed Perspex — faux credit card format
Card Size	2.25" × 3.25" (5.7 × 8.3 cm) — Standard credit card dimensions
Original Design	2008 — Created for D*Face's "aPOPcalypse Now" solo exhibition, Black Rat Press, London
Dismaland Distribution	2015 — Exclusively distributed at Banksy's Dismaland, Weston-super-Mare
Edition	Non-editioned multiple — Very limited, unnumbered
Banksy Stamp	Banksy signature stencil on the signature strip (recto)
Verso Stamps	*DFace artist ink stamp + Dismaland stamp**
Verso Inscription	"This card was issued as an unauthorized comment on our increasingly conspicuous consumer consumption"
Custom Framing	Gauntlet Gallery (San Francisco) — Solid antique frame (c. 1920s, 100+ years old) with original gold-leaf detail and aged patina, custom fitted for this piece
Provenance	Obtained in person at Dismaland Bemusement Park, Weston-super-Mare (August–September 2015)
Condition	Excellent. Card in pristine condition. Antique frame shows beautiful age-appropriate patina consistent with 1920s origin. See photos for full details.

Authentication

BANKSY SIGNATURE STAMP • D*FACE INK STAMP • DISMALAND STAMP • DISMALAND PROVENANCE

Banksy signature stencil on the signature strip. The stenciled "Banksy" mark appears on the card's signature line — a deliberate placement that turns the credit card's authentication strip into an artist authentication marker. This stamp was applied exclusively at Dismaland and distinguishes this variant from the "Dismaland" logo-stamped version.
D*Face artist ink stamp, verso. The printed D*Face logo (letters attached to a safety pin — D*Face's trademark insignia) confirms the card's origin from the artist's studio production.
Dismaland stamp, verso. Event-specific marking confirming distribution through Banksy's 2015 exhibition.
Embossed Perspex construction. The card is screenprinted on rigid embossed plastic in standard credit card dimensions — identical in size, weight, and tactile feel to an actual American Express card. The physical object itself is the artwork.

How to Verify This Is Real — Signs of Authenticity

The Dismaland "American Depress" cards are among the most commonly faked Banksy-adjacent items on the secondary market. Reproductions have flooded eBay and other platforms since 2016. Here is exactly what separates an authentic Dismaland card from a counterfeit — and what you should verify when this piece arrives.

What to Check	✓ Authentic (This Card)	✗ Counterfeit
Material & Weight	Rigid embossed Perspex (acrylic plastic). Same thickness, weight, and stiffness as a real credit card. Has a snap resistance when flexed — will not bend like paper.	Printed on thin plastic, PVC, or laminated cardstock. Feels flimsy, bends too easily, or is noticeably lighter than a real credit card.
Embossing	Raised embossed text and numbers that you can feel with your fingernail. The centurion logo and card number are physically pressed into the plastic, exactly like genuine Amex cards.	Flat-printed text that mimics embossing visually but has zero tactile relief. Run your thumb across the numbers — if they're flush with the surface, it's fake.
Banksy Stencil Stamp	Hand-applied ink stencil on the signature strip. Shows natural ink variation — slightly uneven density, micro-bleed at edges where ink met the strip's texture. Each stamp is subtly unique because they were applied by hand.	Digitally printed "Banksy" text that appears perfectly uniform. No ink texture, no variation in density. Sits on top of the surface rather than absorbing into the strip material. Often too clean and too sharp.
D*Face Ink Stamp (Verso)	Safety-pin logo ink stamp. The D*Face mark shows characteristic ink stamp behavior — variable pressure, slight smudging possible at edges, ink density differences across the impression. Each one is hand-stamped and slightly different.	Printed reproduction of the D*Face logo. Perfectly uniform, identical to every other fake. No ink texture variation. Sometimes the wrong shade of black or positioned incorrectly on the card back.
Dismaland Stamp (Verso)	Event-specific ink stamp. Same hand-applied characteristics as the D*Face stamp — natural ink variation, impression depth consistent with a physical rubber stamp.	Often missing entirely, or digitally printed. Some fakes use a generic "Dismaland" font that doesn't match the actual event stamp design.
Print Quality	Screenprint (serigraph) on Perspex. Colors are rich, saturated, and layered — characteristic of screenprinting. Under magnification, ink sits in defined layers on the surface rather than being absorbed.	Inkjet or laser printed on plastic. Under magnification, shows dot matrix patterns or toner inconsistencies. Colors appear duller or oversaturated compared to authentic screenprint.
Verso Text	Fine-printed inscription reading "This card was issued as an unauthorized comment on our increasingly conspicuous consumer consumption" in the exact position and typeface where real credit card terms would appear. Crisp screenprinted type.	Text is often reproduced with wrong font, wrong size, or wrong positioning. Some counterfeits omit this text entirely. Others use a slightly different wording.
Edge Finish	Smooth, rounded edges with clean die-cut finish. The Perspex edge is polished and uniform all the way around — identical to how a real credit card feels at its borders.	Rough, sharp, or uneven edges. Visible cutting marks. Corners may be slightly asymmetric or show jagged die-cut artifacts.

🚩 Instant Red Flags — Walk Away From Any Card That:

Has no physical embossing (flat-printed numbers and centurion logo)
Shows perfectly uniform stamps with no ink variation — real stamps are hand-applied and every single one is slightly different
Feels lighter or thinner than an actual credit card
Is missing any of the three authentication stamps (Banksy on recto, D*Face + Dismaland on verso)
Is priced suspiciously low — authentic Banksy-stamped variants command a significant premium
Lists as "stamped" but shows no close-up photo of the actual Banksy stencil on the signature strip — legitimate sellers always show this detail

The key test in 10 seconds: Hold the card. Run your thumb across the embossed numbers. Look at the Banksy stencil on the signature strip under a light — you should see ink that absorbed into the strip's texture, not ink that sits on top of a smooth surface. If it passes the feel test and the ink test, it's real. Fakes consistently fail on embossing (flat-printed) and stamp quality (digitally reproduced). This card passes both.

About the Work

D*Face originally created the "American Depress" card in 2008 for his "aPOPcalypse Now" solo exhibition at Black Rat Press in London — a show that sold out and marked a breakthrough moment in his gallery career. The concept is surgical: take the most recognizable financial instrument in the world — the American Express card, with its centurion logo, its embossed lettering, its aura of purchasing power — and change exactly one word. "Express" becomes "Depress." The card's back carries the inscription: "This card was issued as an unauthorized comment on our increasingly conspicuous consumer consumption." The "Your Name" indent at the bottom left of the front makes every viewer the cardholder.

This is D*Face at his sharpest: the humor lands immediately, but the object lingers. The card is printed on the same material, at the same size, with the same embossed texture as the real thing. It doesn't represent consumer culture — it is consumer culture, physically identical to the object it critiques, indistinguishable in your wallet until you read the name. The medium is the message in the most literal sense possible.

When Banksy organized Dismaland in 2015, the "American Depress" card was a natural fit for the event's anti-consumer architecture. D*Face's card became one of the collectible multiples distributed to visitors alongside other souvenirs from the park's gift shop — which, in true Banksy fashion, visitors were forced to exit through. The Dismaland versions received Banksy's signature stencil on the card's signature strip — a layered joke (Banksy "signing" a credit card, on a line designed for your signature, on a card that isn't real) that perfectly merged D*Face's consumer satire with Banksy's institutional subversion.

Two variants, one clear winner: Cards distributed at Dismaland received one of two stamps on the signature strip: a "Banksy" signature stencil or a "Dismaland" logo stamp. The Banksy-signed version is significantly more desirable on the secondary market because it represents one of the few categories of distributable object to carry a direct Banksy mark. This listing is for the Banksy-stamped variant.

The inscription as manifesto: The text on the verso — "This card was issued as an unauthorized comment on our increasingly conspicuous consumer consumption" — is printed in the same fine type and positioning where a real credit card's terms and conditions would appear. D*Face hijacks the format of corporate legal language to deliver an anti-corporate message. The word "unauthorized" does double duty: it describes the card's status as a parody and implies that genuine critique of consumer culture requires operating outside authorized channels. This is the conceptual DNA that made the piece a natural centerpiece for Banksy's Dismaland project.

About Dismaland

Dismaland Bemusement Park was a temporary art installation organized and financed by Banksy, constructed inside the Tropicana — a derelict, abandoned lido on the seafront of Weston-super-Mare, Somerset, England. Banksy described it as "a family theme park unsuitable for children."

The project was prepared entirely in secret. Local residents were told a Hollywood production company called "Atlas Entertainment" was filming a thriller called "Grey Fox." Construction workers didn't know what they were building. The 58 participating artists — including Damien Hirst, Jenny Holzer, Jimmy Cauty, David Shrigley, and Jeff Gillette — were among the 60 Banksy originally invited. Banksy himself contributed ten new works and funded the entire construction.

The park opened August 21, 2015 and closed permanently September 27, 2015 — a 36-day run. Tickets were priced at £3, with 4,000 available per day. The website crashed repeatedly from demand. 150,000 visitors attended over five weeks, boosting Weston-super-Mare's economy by an estimated £20 million. Celebrities including Brad Pitt, Jack Black, and Russell Brand visited. After closing, building materials were repurposed as refugee shelters.

Features included a decrepit fairy castle with a crashed Cinderella coach surrounded by paparazzi, a Ferris wheel, David Shrigley's impossible fairground games, a fake NSA security screening by Bill Barminski, intentionally rude staff trained to say "Have a dismal life" at the exit, and — of course — a gift shop you were forced to walk through to leave. Dismaland remains one of the most ambitious and culturally significant art events of the 2010s.

About the Framing

This card has been professionally custom framed by Gauntlet Gallery, San Francisco — a gallery specializing in authenticated street art and music memorabilia since 2012. The frame is a solid antique piece dating to the 1920s — over 100 years old — hand-selected from Gauntlet Gallery's collection specifically for this card.

The decision to pair a century-old frame with a 2015 anti-consumerist artwork is intentional. The aged patina, the hand-carved detailing, and the original gold-leaf accents of a 1920s frame create a visual contrast that sharpens the card's message: an artifact of anti-consumer commentary presented with the gravitas and permanence of fine art. The antique craftsmanship signals that this is not a souvenir — it's a curated museum-quality presentation.

There's a Banksy-appropriate irony to the framing as well. A 100-year-old frame — the kind you'd find around a gilded portrait in a manor house — now houses a fake credit card from a theme park that doesn't exist anymore. It's the kind of collision between high and low culture that both D*Face and Banksy built their careers on.

Why This Piece Works on a Wall

The "American Depress" card is one of those objects that stops a conversation. It's physically small — credit card dimensions — but conceptually enormous, and now mounted in a solid antique frame that gives it the visual authority of a piece ten times its size. Visitors lean in, read "American Depress," and the joke detonates. Then they notice the Banksy stamp. Then they ask what Dismaland was, and you get to tell them the whole story: the secret construction, the fake film company, the rude staff, the 150,000 people who lined up to experience a theme park designed to make them miserable. The century-old frame transforms a pocket-sized multiple into a display piece that commands the wall — it forces engagement at close range, which is exactly how the best street art multiples work.

About D*Face

D*Face (Dean Stockton, b. 1978, London) is one of the most prolific and recognized street artists of his generation. Growing up in London, he discovered street art through Henry Chalfant's documentation of New York subway graffiti and the skateboard graphics of Thrasher magazine. After working in advertising — an experience that taught him how images manipulate attention — he began pasting hand-drawn stickers and posters across London's streets.

D*Face's work targets consumerism, celebrity culture, and the American Dream through a pop art lens influenced by Roy Lichtenstein and Andy Warhol, filtered through punk and skate culture's DIY ethos. His recurring motifs — grinning skulls, winged figures, corrupted brand logos — use the visual language of commerce to undermine it.

In 2005, D*Face founded StolenSpace Gallery in Shoreditch — one of London's first galleries dedicated to urban contemporary art — which has exhibited Shepard Fairey, KAWS, ROA, and other major figures. His commercial collaborations include album artwork for Blink-182 (California, 2016) and Christina Aguilera (Bionic, 2010), a Penguin Books 50th anniversary cover commission, David Beckham's Haig Club whisky limited edition, and partnerships with Triumph Motorcycles, Uniqlo, and Zippo. His identity remained a mystery until 2008, when he revealed his name — fitting for a reported friend of the most anonymous artist in the world.

About Banksy

Banksy is the pseudonymous England-based street artist, political activist, and filmmaker whose work has defined the intersection of street art, institutional critique, and mass culture since the 1990s. Operating from the Bristol graffiti scene, Banksy developed a stencil-based practice that combines dark humor with pointed social commentary, placing works on public walls, bridges, and buildings worldwide — always without permission, always anonymously.

Beyond street interventions, Banksy has orchestrated some of the most audacious art events in recent history: infiltrating the Tate and the Louvre to hang unauthorized works, staging the 2006 warehouse exhibition "Barely Legal" in Los Angeles (where a live painted elephant became the centerpiece), constructing the Walled Off Hotel overlooking Israel's West Bank barrier, and — most infamously — remotely shredding his own painting Girl with Balloon seconds after it sold for £1.04 million at Sotheby's in 2018, an act that instantly doubled the work's value. Dismaland (2015) remains the largest and most complex Banksy-organized event to date, and objects bearing direct Banksy marks from the exhibition have become among the most sought-after Banksy-adjacent collectibles in the market.

What Is Included

D*Face x Banksy "American Depress" faux credit card — Color screenprint on embossed Perspex, 2.25" x 3.25"
Banksy signature stencil on the signature strip (recto)
D*Face ink stamp + Dismaland stamp (verso)
Solid antique frame (c. 1920s, 100+ years old) — Custom fitted by Gauntlet Gallery with original gold-leaf detail and aged patina

Ships framed with protective materials and full insurance.

Who This Is For

This piece sits at the intersection of several collector categories. For Banksy collectors, it's one of the few distributable objects carrying a direct Banksy mark — an event-specific artifact from a 36-day exhibition that will never be repeated. For D*Face collectors, it's the most culturally significant edition of one of his most iconic designs, elevated by the Banksy collaboration and Dismaland provenance. For street art collectors broadly, it's a museum-quality conversation piece that connects two of the most important British street artists through an object that perfectly embodies both of their practices: D*Face's consumer satire and Banksy's institutional subversion, fused into a single credit-card-sized artwork. The solid antique framing by Gauntlet Gallery makes it immediately wall-ready — no additional investment or decision-making required.

Also available from our store: We carry a growing collection of authenticated street art prints and memorabilia — including signed limited edition screen prints by Shepard Fairey / Obey Giant, Death NYC, and other leading figures in contemporary urban art. Search "Gauntlet Gallery" on eBay to browse the full selection.

Shipping

This piece ships framed with protective materials to prevent surface contact and damage during transit. Due to the antique frame's age and value, extra reinforcement and corner protection are applied. Fully insured with tracking. International shipping available upon request.

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Every artist has a story. Every fan has a memory.

This isn't just a guitar — it's a bridge between the artist's world and yours. Each piece in this collection has been subtly customized to reflect the unique aesthetic of the artist it represents — from tonal choices and finish details to design elements that echo their signature style and creative identity.

Whether it's the raw energy of a punk icon, the soulful elegance of a blues legend, or the bold experimentation of a modern visionary, these guitars capture something words alone can't — the feeling of the music that moved you.

What makes this piece special:

🎨 Artist-Inspired Customization — Design elements tailored to reflect the artist's visual and musical identity
✍️ Authentic Connection — Each guitar tells a story that resonates with the fans who lived it
🔍 Curated with Care — Selected and verified by Gauntlet Gallery, specialists in authenticated music collectibles

ARTIST HIGHLIGHT

SHEPARD FAIREY

Few contemporary artists have bridged underground culture and institutional recognition as effectively as Shepard Fairey. Emerging from skate and punk subcultures with the original Obey Giant campaign, he built a visual language rooted in propaganda aesthetics, bold iconography, and political commentary.

What makes Fairey compelling for collectors isn’t just name recognition — it’s durability. His work sits at the intersection of activism, design, and pop culture. \

From the globally recognized Hope poster to decades of tightly controlled screenprint editions, he has demonstrated both cultural relevance and disciplined market structure.

Institutional validation from MoMA, the Smithsonian, and the V&A reinforces long-term credibility. Meanwhile, secondary market data shows consistent liquidity and steady appreciation across core prints.

For collectors, this is cultural equity with infrastructure behind it — not trend-driven volatility.

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Every piece is authenticated by the right third-party expert for its category: Beckett, JSA, and PSA for music; Zarelli for space; OneCOA + NFC for figurines; artist-signed COA for Death NYC. Your certificate travels with the work for life.

Provenance

Full ownership trail documented. Prior ownership, condition notes, and authentication records available on request.

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Artwork Details

Estimated scale

Year:: 2015

72.6%

10Y Return

6.1%

Mkt CAGR

$583B

Mkt Size

$740B

2030E Proj.

Global Market Size ($B) · 2022–2026

20222023202420252026

Knight Frank Art Index: +72.6% over 10 years
Global art market grows from $583B to $740B by 2030
Print & editions market doubled in value this decade

142,384 verified records · WorthPoint, eBay, Artnet, Art Basel/UBS, Knight Frank · May 2026

Medium: Faux Credit Card Art
Edition: 1/1
Year: 2015

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D*Face x Banksy "American Depress" Faux Credit Card Art, Dismaland 2015, Framed

D*Face × Banksy"American Depress" • Banksy-Stamped Variant • Dismaland 2015

What You Are Getting

Object Details

Authentication

How to Verify This Is Real — Signs of Authenticity

About the Work

About Dismaland

About the Framing

Why This Piece Works on a Wall

About D*Face

About Banksy

What Is Included

Who This Is For

Shipping

100% AUTHENTIC

NEW ADDITIONS

ARTIST HIGHLIGHT

THE CATALOG

Authentication

Provenance

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D*Face × Banksy
"American Depress" • Banksy-Stamped Variant • Dismaland 2015