{"product_id":"shepard-fairey-new-clear-power-2022-signed-screen-print-18x24-ed-350-obey","title":"Shepard Fairey New Clear Power 2022 Signed Screen Print 18x24 Ed 350 OBEY","description":"\u003ch2 data-section-id=\"1vb7ig4\" data-start=\"365\" data-end=\"411\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\n\u003cspan role=\"text\"\u003eSHEPARD FAIREY — \u003cem data-start=\"385\" data-end=\"402\"\u003eNEW CLEAR POWER\u003c\/em\u003e — 2022\u003c\/span\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-start=\"412\" data-end=\"480\"\u003e\u003cstrong data-start=\"412\" data-end=\"480\"\u003eSigned \u0026amp; Numbered Screen Print | Edition of 350 | 18 x 24 Inches\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"482\" data-end=\"567\"\u003eFew words appear more consistently throughout Shepard Fairey’s career than \u003cstrong data-start=\"557\" data-end=\"566\"\u003ePOWER\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"569\" data-end=\"580\"\u003eWho has it.\u003c\/p\u003e\n\u003cp data-start=\"582\" data-end=\"596\"\u003eWho abuses it.\u003c\/p\u003e\n\u003cp data-start=\"598\" data-end=\"643\"\u003eWho controls the information that creates it.\u003c\/p\u003e\n\u003cp data-start=\"645\" data-end=\"688\"\u003eAnd whether ordinary people can reclaim it.\u003c\/p\u003e\n\u003cp data-start=\"690\" data-end=\"933\"\u003e\u003cem data-start=\"690\" data-end=\"707\"\u003eNew Clear Power\u003c\/em\u003e takes those questions and reduces them to one of Fairey’s most direct compositions: \u003cstrong data-start=\"792\" data-end=\"933\"\u003ea raised fist surrounded by radiating bolts of energy, rendered in the unmistakable red, black, cream and gold visual vocabulary of OBEY.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"935\" data-end=\"1271\"\u003eThe image was created in connection with Fairey’s \u003cstrong data-start=\"985\" data-end=\"1076\"\u003e2022 New Clear Power exhibition in Munich, Germany—his first solo exhibition in Germany\u003c\/strong\u003e. Fairey described the exhibition as an examination of the different systems and forms of power society must confront when determining its collective future. \u003cspan class=\"contents\" data-content-reference-start=\"1234\" data-content-reference-end=\"1276\"\u003e\u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1273\" data-end=\"1364\"\u003eThis print was released shortly afterward as a \u003cstrong data-start=\"1320\" data-end=\"1363\"\u003esigned and numbered edition of only 350\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3 data-section-id=\"32gzpr\" data-start=\"1366\" data-end=\"1392\"\u003eTHE MEANING OF “POWER”\u003c\/h3\u003e\n\u003cp data-start=\"1394\" data-end=\"1495\"\u003eThe clenched fist is one of the oldest and most immediately understood symbols in political graphics.\u003c\/p\u003e\n\u003cp data-start=\"1497\" data-end=\"1514\"\u003eIt can represent:\u003c\/p\u003e\n\u003cp data-start=\"1516\" data-end=\"1655\"\u003e\u003cstrong data-start=\"1516\" data-end=\"1530\"\u003eresistance\u003c\/strong\u003e\u003cbr data-start=\"1530\" data-end=\"1533\"\u003e\n\u003cstrong data-start=\"1533\" data-end=\"1547\"\u003esolidarity\u003c\/strong\u003e\u003cbr data-start=\"1547\" data-end=\"1550\"\u003e\n\u003cstrong data-start=\"1550\" data-end=\"1571\"\u003ecollective action\u003c\/strong\u003e\u003cbr data-start=\"1571\" data-end=\"1574\"\u003e\n\u003cstrong data-start=\"1574\" data-end=\"1586\"\u003estrength\u003c\/strong\u003e\u003cbr data-start=\"1586\" data-end=\"1589\"\u003e\n\u003cstrong data-start=\"1589\" data-end=\"1601\"\u003edefiance\u003c\/strong\u003e\u003cbr data-start=\"1601\" data-end=\"1604\"\u003e\n\u003cstrong data-start=\"1604\" data-end=\"1655\"\u003ethe ability of ordinary people to create change\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1657\" data-end=\"1723\"\u003eFairey places that fist directly in the center of the composition.\u003c\/p\u003e\n\u003cp data-start=\"1725\" data-end=\"1796\"\u003eBut what makes \u003cem data-start=\"1740\" data-end=\"1757\"\u003eNew Clear Power\u003c\/em\u003e more interesting is what surrounds it.\u003c\/p\u003e\n\u003cp data-start=\"1798\" data-end=\"1934\"\u003eBlack lightning-like arrows explode outward in multiple directions. They suggest \u003cstrong data-start=\"1879\" data-end=\"1933\"\u003eenergy being generated, transmitted or distributed\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1936\" data-end=\"1986\"\u003eThe fist therefore doesn't simply represent power.\u003c\/p\u003e\n\u003cp data-start=\"1988\" data-end=\"2017\"\u003eIt appears to \u003cstrong data-start=\"2002\" data-end=\"2016\"\u003eproduce it\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"2019\" data-end=\"2044\"\u003eThat distinction matters.\u003c\/p\u003e\n\u003cp data-start=\"2046\" data-end=\"2188\"\u003eRather than showing power coming downward from a government, corporation or institution, the image places the source of power in a human hand.\u003c\/p\u003e\n\u003cp data-start=\"2190\" data-end=\"2238\"\u003eVisually, the message becomes remarkably simple:\u003c\/p\u003e\n\u003ch3 data-section-id=\"1yptky7\" data-start=\"2240\" data-end=\"2267\"\u003ePOWER CAN COME FROM US.\u003c\/h3\u003e\n\u003cp data-start=\"2269\" data-end=\"2340\"\u003eThat is very much in keeping with Fairey’s broader artistic philosophy.\u003c\/p\u003e\n\u003ch3 data-section-id=\"k2bxen\" data-start=\"2342\" data-end=\"2385\"\u003eWHAT SHEPARD FAIREY SAID ABOUT THE WORK\u003c\/h3\u003e\n\u003cp data-start=\"2387\" data-end=\"2484\"\u003eFairey was unusually explicit about what the \u003cem data-start=\"2432\" data-end=\"2449\"\u003eNew Clear Power\u003c\/em\u003e body of work was meant to address.\u003c\/p\u003e\n\u003cp data-start=\"2486\" data-end=\"2533\"\u003eHe identified several different forms of power:\u003c\/p\u003e\n\u003cul data-start=\"2535\" data-end=\"2709\"\u003e\n\u003cli data-section-id=\"v44mm6\" data-start=\"2535\" data-end=\"2551\"\u003e\nabuse of power\n\u003c\/li\u003e\n\u003cli data-section-id=\"1t7369e\" data-start=\"2552\" data-end=\"2589\"\u003e\npower concentrated under capitalism\n\u003c\/li\u003e\n\u003cli data-section-id=\"18401bq\" data-start=\"2590\" data-end=\"2607\"\u003e\nrenewable power\n\u003c\/li\u003e\n\u003cli data-section-id=\"feltb2\" data-start=\"2608\" data-end=\"2625\"\u003e\npolitical power\n\u003c\/li\u003e\n\u003cli data-section-id=\"10jh84d\" data-start=\"2626\" data-end=\"2651\"\u003e\nthe power of creativity\n\u003c\/li\u003e\n\u003cli data-section-id=\"t76ab9\" data-start=\"2652\" data-end=\"2676\"\u003e\npower over information\n\u003c\/li\u003e\n\u003cli data-section-id=\"ip6gk2\" data-start=\"2677\" data-end=\"2709\"\u003e\nthe power to control narrative\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2711\" data-end=\"2944\"\u003eHis point was that “power” is not one single political idea. It operates throughout modern society—in economics, government, media, energy, culture and even in the stories people accept as truth. \u003cspan class=\"contents\" data-content-reference-start=\"2912\" data-content-reference-end=\"2954\"\u003e\u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"2946\" data-end=\"3054\"\u003eThat makes this deceptively simple fist image considerably richer once its exhibition context is understood.\u003c\/p\u003e\n\u003ch3 data-section-id=\"nwihnh\" data-start=\"3056\" data-end=\"3077\"\u003e“NEW CLEAR POWER”\u003c\/h3\u003e\n\u003cp data-start=\"3079\" data-end=\"3114\"\u003eThe title itself is classic Fairey.\u003c\/p\u003e\n\u003cp data-start=\"3116\" data-end=\"3136\"\u003e\u003cstrong data-start=\"3116\" data-end=\"3136\"\u003eNEW CLEAR POWER.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"3138\" data-end=\"3199\"\u003eRead aloud, the phrase inevitably echoes \u003cstrong data-start=\"3179\" data-end=\"3199\"\u003e“nuclear power.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"3201\" data-end=\"3290\"\u003eBut Fairey’s official explanation expands the idea far beyond one specific energy source.\u003c\/p\u003e\n\u003cp data-start=\"3292\" data-end=\"3469\"\u003eThe exhibition addressed \u003cstrong data-start=\"3317\" data-end=\"3430\"\u003erenewable energy, fossil-fuel dependence, capitalism, politics, creativity, information and narrative control\u003c\/strong\u003e. \u003cspan class=\"contents\" data-content-reference-start=\"3442\" data-content-reference-end=\"3484\"\u003e\u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"3471\" data-end=\"3526\"\u003eSo “New Clear Power” can be read almost as a challenge:\u003c\/p\u003e\n\u003cp data-start=\"3528\" data-end=\"3576\"\u003eWhat should the \u003cstrong data-start=\"3544\" data-end=\"3551\"\u003enew\u003c\/strong\u003e form of power look like?\u003c\/p\u003e\n\u003cp data-start=\"3578\" data-end=\"3599\"\u003eCan power be cleaner?\u003c\/p\u003e\n\u003cp data-start=\"3601\" data-end=\"3618\"\u003eMore transparent?\u003c\/p\u003e\n\u003cp data-start=\"3620\" data-end=\"3636\"\u003eMore democratic?\u003c\/p\u003e\n\u003cp data-start=\"3638\" data-end=\"3652\"\u003eMore creative?\u003c\/p\u003e\n\u003cp data-start=\"3654\" data-end=\"3672\"\u003eLess concentrated?\u003c\/p\u003e\n\u003cp data-start=\"3674\" data-end=\"3718\"\u003eThe title refuses to supply a single answer.\u003c\/p\u003e\n\u003cp data-start=\"3720\" data-end=\"3837\"\u003eInstead, Fairey gives the viewer a symbol—the fist—and asks them to consider where meaningful power should come from.\u003c\/p\u003e\n\u003ch3 data-section-id=\"10m8kao\" data-start=\"3839\" data-end=\"3864\"\u003eTHE MUNICH EXHIBITION\u003c\/h3\u003e\n\u003cp data-start=\"3866\" data-end=\"3921\"\u003eThe print also has a significant exhibition connection.\u003c\/p\u003e\n\u003cp data-start=\"3923\" data-end=\"4109\"\u003e\u003cem data-start=\"3923\" data-end=\"3944\"\u003e\u003cstrong data-start=\"3924\" data-end=\"3943\"\u003eNew Clear Power\u003c\/strong\u003e\u003c\/em\u003e opened in Munich on \u003cstrong data-start=\"3965\" data-end=\"3985\"\u003eNovember 5, 2022\u003c\/strong\u003e, at AMUSEUM of Contemporary Art and marked Fairey’s first solo exhibition in Germany. \u003cspan class=\"contents\" data-content-reference-start=\"4087\" data-content-reference-end=\"4111\"\u003e\u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"4111\" data-end=\"4135\"\u003eThe exhibition included:\u003c\/p\u003e\n\u003cp data-start=\"4137\" data-end=\"4303\"\u003e\u003cstrong data-start=\"4137\" data-end=\"4162\"\u003emixed-media paintings\u003c\/strong\u003e\u003cbr data-start=\"4162\" data-end=\"4165\"\u003e\n\u003cstrong data-start=\"4165\" data-end=\"4190\"\u003eunique works on paper\u003c\/strong\u003e\u003cbr data-start=\"4190\" data-end=\"4193\"\u003e\n\u003cstrong data-start=\"4193\" data-end=\"4222\"\u003estencil and collage works\u003c\/strong\u003e\u003cbr data-start=\"4222\" data-end=\"4225\"\u003e\n\u003cstrong data-start=\"4225\" data-end=\"4251\"\u003eoriginal illustrations\u003c\/strong\u003e\u003cbr data-start=\"4251\" data-end=\"4254\"\u003e\n\u003cstrong data-start=\"4254\" data-end=\"4282\"\u003eprints on wood and metal\u003c\/strong\u003e\u003cbr data-start=\"4282\" data-end=\"4285\"\u003e\n\u003cstrong data-start=\"4285\" data-end=\"4303\"\u003ecollaged works\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"4305\" data-end=\"4465\"\u003eFairey described the entire exhibition as an investigation into how power operates visually, politically and economically. \u003cspan class=\"contents\" data-content-reference-start=\"4430\" data-content-reference-end=\"4454\"\u003e\u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"4467\" data-end=\"4513\"\u003eAnd he didn't limit the project to the museum.\u003c\/p\u003e\n\u003cp data-start=\"4515\" data-end=\"4788\"\u003eIn advance of the exhibition, Fairey worked with Positive Propaganda on a monumental \u003cstrong data-start=\"4600\" data-end=\"4651\"\u003e370-foot-wide mural along a Munich city highway\u003c\/strong\u003e dealing with the oil industry and the urgency of transitioning toward renewable sources of energy. \u003cspan class=\"contents\" data-content-reference-start=\"4740\" data-content-reference-end=\"4764\"\u003e\u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"4790\" data-end=\"4941\"\u003eThat environmental component is important because it places the print within a much larger body of work rather than treating it as an isolated graphic.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1n72yrr\" data-start=\"4943\" data-end=\"4985\"\u003eFOSSIL FUELS, ENERGY \u0026amp; THE ENVIRONMENT\u003c\/h3\u003e\n\u003cp data-start=\"4987\" data-end=\"5164\"\u003eOne of the principal subjects of the \u003cem data-start=\"5024\" data-end=\"5041\"\u003eNew Clear Power\u003c\/em\u003e exhibition was \u003cstrong data-start=\"5057\" data-end=\"5163\"\u003ethe power of the fossil-fuel industry and its relationship to climate change and environmental decline\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"5166\" data-end=\"5291\"\u003eFairey specifically identified fossil-fuel dependence as a central concern of the show. \u003cspan class=\"contents\" data-content-reference-start=\"5230\" data-content-reference-end=\"5254\"\u003e\u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"5293\" data-end=\"5337\"\u003eLook again at the artwork with that context.\u003c\/p\u003e\n\u003cp data-start=\"5339\" data-end=\"5396\"\u003eThe lightning bolts become more than decorative elements.\u003c\/p\u003e\n\u003cp data-start=\"5398\" data-end=\"5415\"\u003eThey can suggest:\u003c\/p\u003e\n\u003cp data-start=\"5417\" data-end=\"5541\"\u003e\u003cstrong data-start=\"5417\" data-end=\"5432\"\u003eelectricity\u003c\/strong\u003e\u003cbr data-start=\"5432\" data-end=\"5435\"\u003e\n\u003cstrong data-start=\"5435\" data-end=\"5456\"\u003eenergy generation\u003c\/strong\u003e\u003cbr data-start=\"5456\" data-end=\"5459\"\u003e\n\u003cstrong data-start=\"5459\" data-end=\"5475\"\u003etransmission\u003c\/strong\u003e\u003cbr data-start=\"5475\" data-end=\"5478\"\u003e\n\u003cstrong data-start=\"5478\" data-end=\"5497\"\u003erenewable power\u003c\/strong\u003e\u003cbr data-start=\"5497\" data-end=\"5500\"\u003e\n\u003cstrong data-start=\"5500\" data-end=\"5541\"\u003ethe struggle over who controls energy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"5543\" data-end=\"5649\"\u003eThe fist at the center becomes an alternative source of power—not literally electricity, but human agency.\u003c\/p\u003e\n\u003cp data-start=\"5651\" data-end=\"5700\"\u003eThat is one reason the composition works so well.\u003c\/p\u003e\n\u003cp data-start=\"5702\" data-end=\"5788\"\u003eIt allows \u003cstrong data-start=\"5712\" data-end=\"5788\"\u003epolitical power and electrical power to occupy the same visual language.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-section-id=\"wh42cc\" data-start=\"5790\" data-end=\"5811\"\u003eTHE FLOWER SYMBOL\u003c\/h3\u003e\n\u003cp data-start=\"5813\" data-end=\"5931\"\u003eAbove the fist sits a small flower-like emblem integrated with what resembles an electrical or transmission structure.\u003c\/p\u003e\n\u003cp data-start=\"5933\" data-end=\"6004\"\u003eIt introduces something organic into an otherwise forceful composition.\u003c\/p\u003e\n\u003cp data-start=\"6006\" data-end=\"6050\"\u003eThat juxtaposition is characteristic Fairey:\u003c\/p\u003e\n\u003cp data-start=\"6052\" data-end=\"6145\"\u003e\u003cstrong data-start=\"6052\" data-end=\"6075\"\u003etechnology + nature\u003c\/strong\u003e\u003cbr data-start=\"6075\" data-end=\"6078\"\u003e\n\u003cstrong data-start=\"6078\" data-end=\"6096\"\u003epower + growth\u003c\/strong\u003e\u003cbr data-start=\"6096\" data-end=\"6099\"\u003e\n\u003cstrong data-start=\"6099\" data-end=\"6121\"\u003eindustry + ecology\u003c\/strong\u003e\u003cbr data-start=\"6121\" data-end=\"6124\"\u003e\n\u003cstrong data-start=\"6124\" data-end=\"6145\"\u003estrength + beauty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"6147\" data-end=\"6178\"\u003eThe image doesn't reject power.\u003c\/p\u003e\n\u003cp data-start=\"6180\" data-end=\"6226\"\u003eIt asks what kind of power we choose to build.\u003c\/p\u003e\n\u003ch3 data-section-id=\"18w9qlo\" data-start=\"6228\" data-end=\"6264\"\u003eTHE CLASSIC OBEY VISUAL LANGUAGE\u003c\/h3\u003e\n\u003cp data-start=\"6266\" data-end=\"6335\"\u003eFrom across a room, \u003cem data-start=\"6286\" data-end=\"6303\"\u003eNew Clear Power\u003c\/em\u003e is unmistakably Shepard Fairey.\u003c\/p\u003e\n\u003cp data-start=\"6337\" data-end=\"6372\"\u003eThe palette alone establishes that:\u003c\/p\u003e\n\u003cp data-start=\"6374\" data-end=\"6421\"\u003e\u003cstrong data-start=\"6374\" data-end=\"6386\"\u003edeep red\u003c\/strong\u003e\u003cbr data-start=\"6386\" data-end=\"6389\"\u003e\n\u003cstrong data-start=\"6389\" data-end=\"6398\"\u003eblack\u003c\/strong\u003e\u003cbr data-start=\"6398\" data-end=\"6401\"\u003e\n\u003cstrong data-start=\"6401\" data-end=\"6410\"\u003ecream\u003c\/strong\u003e\u003cbr data-start=\"6410\" data-end=\"6413\"\u003e\n\u003cstrong data-start=\"6413\" data-end=\"6421\"\u003egold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"6423\" data-end=\"6616\"\u003eThose colors descend directly from the visual language Fairey developed through the OBEY campaign—part propaganda poster, part political graphic, part punk flyer and part Constructivist design.\u003c\/p\u003e\n\u003cp data-start=\"6618\" data-end=\"6662\"\u003eThe enormous fist provides the central icon.\u003c\/p\u003e\n\u003cp data-start=\"6664\" data-end=\"6701\"\u003eRadiating line work creates movement.\u003c\/p\u003e\n\u003cp data-start=\"6703\" data-end=\"6799\"\u003eThe bold black block across the bottom functions almost like the caption on a propaganda poster.\u003c\/p\u003e\n\u003cp data-start=\"6801\" data-end=\"6841\"\u003eAnd the words are intentionally concise:\u003c\/p\u003e\n\u003ch3 data-section-id=\"66257n\" data-start=\"6843\" data-end=\"6858\"\u003eNEW CLEAR\u003c\/h3\u003e\n\u003ch3 data-section-id=\"7bwgd5\" data-start=\"6859\" data-end=\"6868\"\u003ePOWER\u003c\/h3\u003e\n\u003cp data-start=\"6870\" data-end=\"6883\"\u003eNo paragraph.\u003c\/p\u003e\n\u003cp data-start=\"6885\" data-end=\"6900\"\u003eNo explanation.\u003c\/p\u003e\n\u003cp data-start=\"6902\" data-end=\"6950\"\u003eJust an image and a commandingly simple concept.\u003c\/p\u003e\n\u003cp data-start=\"6952\" data-end=\"7185\"\u003eFairey himself has explained that he intentionally chooses words with the ability to communicate \u003cstrong data-start=\"7049\" data-end=\"7074\"\u003eclearly and concisely\u003c\/strong\u003e. \u003cem data-start=\"7076\" data-end=\"7093\"\u003eNew Clear Power\u003c\/em\u003e may be one of the clearest examples of that strategy. \u003cspan class=\"contents\" data-content-reference-start=\"7111\" data-content-reference-end=\"7135\"\u003e\u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-section-id=\"vhb1je\" data-start=\"7187\" data-end=\"7222\"\u003eA LIMITED OFFICIAL OBEY RELEASE\u003c\/h3\u003e\n\u003cp data-start=\"7224\" data-end=\"7273\"\u003eThe official OBEY release documents the print as:\u003c\/p\u003e\n\u003cp data-start=\"7275\" data-end=\"7748\"\u003e\u003cstrong data-start=\"7275\" data-end=\"7286\"\u003eArtist:\u003c\/strong\u003e Shepard Fairey\u003cbr data-start=\"7301\" data-end=\"7304\"\u003e\n\u003cstrong data-start=\"7304\" data-end=\"7314\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"7315\" data-end=\"7332\"\u003eNew Clear Power\u003c\/em\u003e\u003cbr data-start=\"7332\" data-end=\"7335\"\u003e\n\u003cstrong data-start=\"7335\" data-end=\"7344\"\u003eYear:\u003c\/strong\u003e 2022\u003cbr data-start=\"7349\" data-end=\"7352\"\u003e\n\u003cstrong data-start=\"7352\" data-end=\"7369\"\u003eRelease Date:\u003c\/strong\u003e December 15, 2022\u003cbr data-start=\"7387\" data-end=\"7390\"\u003e\n\u003cstrong data-start=\"7390\" data-end=\"7401\"\u003eMedium:\u003c\/strong\u003e Screen Print\u003cbr data-start=\"7414\" data-end=\"7417\"\u003e\n\u003cstrong data-start=\"7417\" data-end=\"7427\"\u003ePaper:\u003c\/strong\u003e Thick Cream Speckletone Paper\u003cbr data-start=\"7457\" data-end=\"7460\"\u003e\n\u003cstrong data-start=\"7460\" data-end=\"7475\"\u003eDimensions:\u003c\/strong\u003e 18 x 24 inches\u003cbr data-start=\"7490\" data-end=\"7493\"\u003e\n\u003cstrong data-start=\"7493\" data-end=\"7505\"\u003eEdition:\u003c\/strong\u003e 350\u003cbr data-start=\"7509\" data-end=\"7512\"\u003e\n\u003cstrong data-start=\"7512\" data-end=\"7523\"\u003eSigned:\u003c\/strong\u003e Yes — Shepard Fairey\u003cbr data-start=\"7544\" data-end=\"7547\"\u003e\n\u003cstrong data-start=\"7547\" data-end=\"7560\"\u003eNumbered:\u003c\/strong\u003e Yes\u003cbr data-start=\"7564\" data-end=\"7567\"\u003e\n\u003cstrong data-start=\"7567\" data-end=\"7594\"\u003eOriginal Release Price:\u003c\/strong\u003e $70\u003cbr data-start=\"7598\" data-end=\"7601\"\u003e\n\u003cstrong data-start=\"7601\" data-end=\"7615\"\u003ePublisher:\u003c\/strong\u003e OBEY Giant\u003c\/p\u003e \u003cbr\u003eListed with ExportYourStore.com","brand":"Gauntlet Gallery","offers":[{"title":"Default Title","offer_id":45746590646407,"sku":"318682854297_7542_5CDA","price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/3179\/6871\/files\/57_c382c4e7-b216-4487-8273-9f00830cb747.jpg?v=1788369682","url":"https:\/\/gauntlet.gallery\/products\/shepard-fairey-new-clear-power-2022-signed-screen-print-18x24-ed-350-obey","provider":"Gauntlet Gallery","version":"1.0","type":"link"}